Mini periwinkle quilt misery

is what I was ending up with using this template and a kind of pseudo paper piecing technique with the tutorial.  I even went back and traced around the template on the back, then added correct seam allowances so I would have more accuracy.

                        
It just didn't add up to enough improvement to warrant the additional work.  There is a lovely tutorial by Red Pepper Quilts for the same quilt, using her foundation paper. Unfortunately, it is a slightly different size so I would have to print out and then CUT out all those patterns.  While I was looking at her tutorial again just now, I'm thinking if I followed along her directions to the letter I might get the results I am craving.  I do have about a gazillion of those MSQC triangle papers.  She puts down triangle, diamond, triangle and then presses all in one direction.  MSQC puts the diamond down first, assisted with a smear of glue stick, then left triangle and  right triangle.  Might be less bulk at the kissing diamond points the Red Pepper way.  I'll give it one more shot, darn it! 

*Update, Saturday night shift- Oh, dear.  I'm supposed to be sewing 4 of these pieced triangles together, not two.  Might make a BIG difference.  I'll definitely give it another shot!  I'm still going to incorporate Red Pepper's directions so I can twirl the center intersecting seams on the back.  I love doing that.  The thrill may wear off before these (half gazillion) triangles get made into a quilt. 

I got the 15-91 installed into the cabinet and oiled and the bobbin case arrived.  I tossed an orphan block into a small sandwich and tried out some free motion quilting.  I know every machine feels a little different but this did feel exceptionally "draggy".  The feed dogs do drop, but it felt like they were still influencing the flow.  I took a look at them in action- they appear possibly higher than they should be, and with the sandwich squished down they may be grabbed intermittently by feed dog movement.  I put stitch length at zero and that helped. I decided to give my supreme slider teflon sheet a shot.  This was the first machine of three that I really felt a benefit with it on, but alas!

That gold speckle upper right is some of my antique finish.  It did this on the Singer 201-2 as well. I won't try it again on another black vintage singer. It may do better on the later model machines.  I don't foresee myself getting any of those.  I have a taupe Kenmore from the 60's that suffered no ill effects from the slider, but it was one of the machines that didn't really have an improvement either.  It already did sweet free motion.

The 15-91 is also NOISIER than the 201.  It has a smaller (though still large) harp space.  It does move to the right smoother in free motion than the 201, but I think I've already learned to compensate for this.  I still want to try out free motion embroidery, and specifically free motion embroidery without any foot.  I think this machine will do better at that job than any machine I've ever owned or played on. One day, I'd like to be, in my own style, as good as this guy.

sewing lots

Mostly quilting.  I started out with the idea of doing a video of quilting with rulers on a vintage machine.  I got lots of stuff to put a video together, but this new tablet/laptop with windows 8 has been very difficult to put together with learning a new editing program and I haven't yet got it put together.  I also made video of machine darning, the one mending chore I actually enjoy (because it's so like free motion embroidery or quilting).

This was a pretty huge hole that will never rip again.  No patch to peel off.  The heavy build up of thread is stiffer than the surrounding area but the recipient was willing to trade that for keeping her favorite jeans.  I've seen a business online that repairs holes on jeans with thread build up matching the warp/weft of the original fabric.  It would be fun to be that good at it. 

Playing with the quilting and darning reminded me that the 201's foot pedal sticks after extended use.  I intend to buy a new pedal one day but decided to just switch out the feet with a machine I'll probably never use.  It's an old vibrating shuttle that works ok but isn't much joy to use- it is a pretty cute 3/4  size to look at with it's old godzilla finish.  6 minutes of work and the pedals were switched.  No further issues with the 201 if I want to zone and free motion for hours.  It would race and have to be pumped to stop.  The 201 is one fast machine anyway and racing is a pretty furious pace.  I have been enjoying having speed control again.

A warning to anyone who uses vintage machines and free motion quilts:  you may not want to use a supreme slider on an antique finish.  The gold crackling above was the result of having the slider on for about 1/2 hour of quilting on a little orphan block.  I noticed the paint flecks on the back of the slider before I saw the deck and was very shocked.  This machine isn't  most prized for it's paint and so I wasn't devastated but I won't be using the slider again on it.  I have not had any problem using the slider with newer machines.  Truthfully, I have never felt that it made that great a difference in ease.  When I have quilt dragging I stop and redistribute the weight and I'm happy. Likewise I have found the quilting gloves unnecessary.  Sometimes if my hands are dry and the fingertips don't seem to have enough grip I use a little of that stuff office people use to moisten fingertips for handling paper- works great and doesn't affect the fabric.  God knows this technique might not be great for a quilt that will never be washed and is being entered into some world class shows and then museum bound.  But for my purposes, it works great.



 

The last thing I have to say is goodbye to one slightly brutal winter.  I've lived on the shore of Delaware for 25 years now and never seen ice on the beach before.  It was cool for the experience, now I'm more than ready to move on to blossoms and the beginnings of fresh local produce. Yay, spring!